conventions for pitch in chanting?
conventions for pitch in chanting?
I was wondering, could someone explain the conventions for pitch in chanting like that found at http://www.abhayagiri.org/main/media/#chanting? Is it a specifically Thai tradition? I'm hoping to memorize some portions of suttas, and I find it much easier to do so with pitches attached.
Re: conventions for pitch in chanting?
Hi echalon,
There are two completely separate issues here:
1. I believe I've heard Ajahn Amaro explain that the chanting style in English is based on the style of Medieval Christian chants (they have books with the pitch indicated: up, neutral, down).
2. As far as I can hear and read, Pali chanting by Thai speakers just inherits the Thai tone rules. I.e. when the Pali is transliterated into Thai characters each syllable has an implied "tone" that a Thai speaker will automatically use (and a non-Thai can deduce by following some arcane rules...). After chanting with Thai people for a few years, those are the tones I automatically use when chanting in Pali, and the same will be true for the the Ajahn Chah tradition monks. Speakers of other languages, such as Sinhalese or Burmese, will not use the same tones or quite the same pronunciation (listen to a Sri Lankan chant: "sambuddhasa" for example and you'll see what I mean - the final syllable which I'd pronounce "sah" becomes "serr" to my ear).
Metta
Mike
There are two completely separate issues here:
1. I believe I've heard Ajahn Amaro explain that the chanting style in English is based on the style of Medieval Christian chants (they have books with the pitch indicated: up, neutral, down).
2. As far as I can hear and read, Pali chanting by Thai speakers just inherits the Thai tone rules. I.e. when the Pali is transliterated into Thai characters each syllable has an implied "tone" that a Thai speaker will automatically use (and a non-Thai can deduce by following some arcane rules...). After chanting with Thai people for a few years, those are the tones I automatically use when chanting in Pali, and the same will be true for the the Ajahn Chah tradition monks. Speakers of other languages, such as Sinhalese or Burmese, will not use the same tones or quite the same pronunciation (listen to a Sri Lankan chant: "sambuddhasa" for example and you'll see what I mean - the final syllable which I'd pronounce "sah" becomes "serr" to my ear).
Metta
Mike
Re: conventions for pitch in chanting?
Sorry, I should have specified, I'm interested in the Pali, not English.mikenz66 wrote:There are two completely separate issues here:
This was what I thought I had heard. Can anyone speak Thai well enough to confirm this?mikenz66 wrote:As far as I can hear and read, Pali chanting by Thai speakers just inherits the Thai tone rules. I.e. when the Pali is transliterated into Thai characters each syllable has an implied "tone" that a Thai speaker will automatically use (and a non-Thai can deduce by following some arcane rules...). After chanting with Thai people for a few years, those are the tones I automatically use when chanting in Pali, and the same will be true for the the Ajahn Chah tradition monks. Speakers of other languages, such as Sinhalese or Burmese, will not use the same tones or quite the same pronunciation (listen to a Sri Lankan chant: "sambuddhasa" for example and you'll see what I mean - the final syllable which I'd pronounce "sah" becomes "serr" to my ear).
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Re: conventions for pitch in chanting?
A blurb on chanting technique can be seen on page 53 of the manual linked below...
http://www.what-buddha-taught.net/Artic ... _Notes.pdf" onclick="window.open(this.href);return false;
http://www.what-buddha-taught.net/Artic ... _Notes.pdf" onclick="window.open(this.href);return false;
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Re: conventions for pitch in chanting?
Yes...echalon wrote:Can anyone speak Thai well enough to confirm this?
Re: conventions for pitch in chanting?
Does it work something like http://www.thai-language.com/ref/tone-rules? Is it possible to derive the tone solely from the Pali syllable, with no explicit tone marks, like in that webpage? Could you explain how this works, or point me towards a reference that does?appicchato wrote:Yes...
Re: conventions for pitch in chanting?
Actually, listening to the chants on the Abahayagiri website, the tones are a little "toned down"...echalon wrote: This was what I thought I had heard. Can anyone speak Thai well enough to confirm this?
To take an example:
Arahaṃ sammā-sambuddho bhagavā
Buddhaṃ bhagavantaṃ abhivādemi
In Thai transliteration that's http://www.thailandqa.com/forum/showthread.php?t=32134&" onclick="window.open(this.href);return false;
อะระหัง สัมมาสัมพุทโธ ภะคะวา พุทธัง ภะควันตัง อะภิวาเทมิ
You can look that up here: http://www.thai2english.com/online/tran ... ryId=43414" onclick="window.open(this.href);return false; and you'll see that Arahaṃ comes out as
a-ra-hang with low-high-rising tones (and short "a"s!).
If you listen to the chant here by Thai speakers (first file of the morning chant):
http://www.forestmeditation.com/audio/audio.html" onclick="window.open(this.href);return false;
it's reasonably clear...
Metta
Mike
Re: conventions for pitch in chanting?
Yes, part of learning to read Thai script is the tone rules...echalon wrote:Is it possible to derive the tone solely from the Pali syllable, with no explicit tone marks, like in that webpage?
Which are quite complicated as you can see from the "Tone Rule Summary" table on that page you linked to: http://www.thai-language.com/ref/tone-rules" onclick="window.open(this.href);return false;
You need to know the "class" of the consonant (low, mid high), whether the syllable is "live" or "dead" (long or short basically), whether it has an tone mark, and then apply the algorithm. Quite logical really... The Pali transliterations don't have tone marks, so that simplifies it a bit...
And then there are some slightly tricky exceptions, such as if there is no vowel then an "a" will get stuck in (as in svakkhato, which becomes sa wak khaa to)
Not something I'd suggest worrying about unless you actually want to learn Thai.
The place I linked to: http://www.thai2english.com/online/" onclick="window.open(this.href);return false; will accept Thai script and figure out the rules for you...
Metta
Mike
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Re: conventions for pitch in chanting?
Mmmm no...echalon wrote:Does it work something like http://www.thai-language.com/ref/tone-rules?
Ditto...Is it possible to derive the tone solely from the Pali syllable, with no explicit tone marks, like in that webpage?
Fortunately (or unfortunately) I've not delved into the intricacies of this...I do know that you won't find 'tones' in Pali...not in my (limited) experience with the language...to learn Thai (and the tones) you've gone to the right website...but Pali is another kettle of fish...even though Thai has many, many words that are, or come from, Pali...Could you explain how this works, or point me towards a reference that does?
Combine that with the fact that variations, depending on where you are, even in Thailand, are myriad...there's no 'one size fits all'...rendering mastering any (other than a general) kind of technique pretty implausible...if I were asked...
Re: conventions for pitch in chanting?
Yes as Ven Appicchato says, if your native language is written in Roman script it's probably most useful to put some effort into properly learning the rules for pronouncing Pali in Roman script. The tones that Thai speakers add are a local variation that has nothing to do with Pali. However, if you do happen to read Thai it's interesting to check out the Thai script versions...
Metta
Mike
Metta
Mike
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Re: conventions for pitch in chanting?
You're good Mike...mikenz66 wrote:And then there are some slightly tricky exceptions...
Also know that (in Thai) B's are pronounced like P's, and P's like B's...Pali is Bali (the island of Bali is enunciated Pali) ...Burma is Purma...same with L's and R's...the opposite...there are others...
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Re: conventions for pitch in chanting?
If I remember correctly a similar conversation involved Ven Dhammanando a few months ago!appicchato wrote:You're good Mike...mikenz66 wrote:And then there are some slightly tricky exceptions...
Also know that (in Thai) B's are pronounced like P's, and P's like B's...Pali is Bali (the island of Bali is enunciated Pali) ...Burma is Purma...same with L's and R's...the opposite...there are others...
It was specifically about the V & W as I and some others were under the impression that in pali Amaravati was pronounced Amarawati but this was incorrect with the pronounciation being Amaravati. I'll have a search for the post to double check though.
Blog, Suttas, Aj Chah, Facebook.
He who knows only his own side of the case knows little of that. His reasons may be good, and no one may have been able to refute them.
But if he is equally unable to refute the reasons on the opposite side, if he does not so much as know what they are, he has no ground for preferring either opinion …
...
He must be able to hear them from persons who actually believe them … he must know them in their most plausible and persuasive form.
John Stuart Mill
He who knows only his own side of the case knows little of that. His reasons may be good, and no one may have been able to refute them.
But if he is equally unable to refute the reasons on the opposite side, if he does not so much as know what they are, he has no ground for preferring either opinion …
...
He must be able to hear them from persons who actually believe them … he must know them in their most plausible and persuasive form.
John Stuart Mill
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Re: conventions for pitch in chanting?
In Thai there is no V...so everything (in English anyway) is a W...Manapa wrote:It was specifically about the V & W...
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Re: conventions for pitch in chanting?
Here it is realised half way through looking through all of Bhantes posts that pronounce may give me a closer match if searched
Dhammanando Bhikkhu wrote:The classical Pali grammars classify the consonant as dento-labial (i.e. requiring the upper front teeth to be in contact with the lower lip). So, v is more likely the correct pronunciation, since w is a bilabial consonant. But in practice SE Asian Buddhists will pronounce it as a w because their native tongues (Thai, Lao, Khmer etc.) don't have a v sound.
Blog, Suttas, Aj Chah, Facebook.
He who knows only his own side of the case knows little of that. His reasons may be good, and no one may have been able to refute them.
But if he is equally unable to refute the reasons on the opposite side, if he does not so much as know what they are, he has no ground for preferring either opinion …
...
He must be able to hear them from persons who actually believe them … he must know them in their most plausible and persuasive form.
John Stuart Mill
He who knows only his own side of the case knows little of that. His reasons may be good, and no one may have been able to refute them.
But if he is equally unable to refute the reasons on the opposite side, if he does not so much as know what they are, he has no ground for preferring either opinion …
...
He must be able to hear them from persons who actually believe them … he must know them in their most plausible and persuasive form.
John Stuart Mill
Re: conventions for pitch in chanting?
Hmm, I was going to say that...appicchato wrote:In Thai there is no V...so everything (in English anyway) is a W...Manapa wrote:It was specifically about the V & W...
Since many of us in the West have Thai or Thai-trained teachers this tends to rub off and we tend to not do "v"s in Pali either. It would sound a bit discordant in a group...
Actually, one of my teachers was originally from Bangladesh. Our (Thai) Abbot sometimes joked that I should be careful not to pick up the wrong Pali accent from him...
Metta
Mike